A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.

Linas Eriksonas is Project Manager of the EU 6th Framework Programme project SAL (Society and Lifestyles: Towards Enhancing Social Harmonization through Knowledge of Subcultural Communities). Previously he was Project Coordinator for the European Science Foundation program Representations of the Past: The Writing of National Histories in Nineteenth- and Twentieth-Century Europe. He is the author ofNational Heroes and National Identities: Scotland, Norway and Lithuania(Brussels, 2004).

List of Illustrations
Acknowledgements

Introduction: Narrating the Nation: Historiography and Other Genres
Stefan Berger

PART I: SCIENTIFIC APPROACHES TO NATIONAL NARRATIVES

Chapter 1. Historical Representation, Identity, Allegiance
Allan Megill

Chapter 2. Drawing the Line: Scientific History between Myth-making and Myth-breaking
Chris Lorenz

Chapter 3. National Histories: Prospects for Critique and Narrative
Mark Bevir

PART II: NARRATING THE NATION AS LITERATURE

Chapter 4. Fiction as a Mediator in National Remembrance
Ann Rigney

Chapter 5. The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe
John Neubauer

Chapter 6. Towards the Genre of Popular National History: Walter Scott after Waterloo
Linas Eriksonas

Chapter 7. Families, Phantoms and the Discourse of Generations as a Politics of the Past: Problems of Provenance: Rejecting and Longing for Origins
Sigrid Weigel

PART III: NARRATING THE NATION AS FILM

Chapter 8. Sold Globally Remembered Locally: Holocaust Cinema and the Construction of Collective Identities in Europe and the US
Wulf Kansteiner

Chapter 9. Cannes 1956/1979: Riviera Reflections on Nationalism and Cinema
Hugo Frey

PART IV: NARRATING THE NATION AS ART AND MUSIC

Chapter 10. From Discourse to Representation: Austrian Memory in Public Space
Heidemarie Uhl

Chapter 11. Personifying the Past: National and European History in the Fine and Applied Arts in the Age of Nationalism
Michael Wintle

Chapter 12. The Nation in Song
Philip V. Bohlman

PART V: NON-EUROPEAN PERSPECTIVES ON NATION AND NARRATION

Chapter 13. Peoples History in North America: Agency, Ideology, Epistemology
Peter Seixas

Chapter 14. The Configuration of Orient and Occident in the Global Chain of National Histories: Writing National Histories in Northeast Asia
Jie-Hyun Lim

Notes on Contributors
Bibliography
Index