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Matters of Time

Material Temporalities in Twentieth-Century French Culture, Modern French Identities 115

Erschienen am 22.10.2014, 1. Auflage 2014
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Bibliografische Daten
ISBN/EAN: 9783034317962
Sprache: Englisch
Umfang: 324 S.
Format (T/L/B): 1.8 x 22.5 x 15 cm
Einband: kartoniertes Buch

Beschreibung

Matters of Time provides an unorthodox array of perspectives on materialist thought and representation in twentieth-century French intellectual culture. Time is figured as the quintessential revolutionary concept, through key historical moments from Jean Jaurès orientation of the socialists at the turn of the century to the inter-generational conflict and politicization of everyday life in May 68. Essays on dialectics and theories of teleological progress are placed side by side with accounts of the existential turn in Marxist thought in France. Contributions on Heidegger and Sartre inject meditations on human mortality into considerations of a new politics of finitude. The volume also emphasizes the inseparability of aesthetic and political thought for the French avant-gardes: chapters on Sade, Artaud and Jarry place Marxs theories of production and commodity fetishism into contact with bodily abjection. The manipulation of time in cinema and matter in painting are examined as a testament to the twentieth century as a period of continuing experimental tension between form and signification. Generational futurity is explored through Genets spatial representations of filiation and Verlaines proto-ecological attunement to nature. The volume as a whole constructs a necessarily fragmented timeline of the breaks, tensions and antagonisms in twentieth-century French thought, culture and politics, with particular focus on questions of late capitalism and political, intellectual and aesthetic progress and regress.

Produktsicherheitsverordnung

Hersteller:
BoD - Books on Demand
info@bod.de
In de Tarpen 42
DE 22848 Norderstedt

Autorenportrait

Lisa Jeschke is a doctoral candidate at the University of Cambridge. Her research focuses on late modernist poetry and theatricality. She is co-editor at Materials, a small press that publishes poetry and critical thought. Adrian May is a doctoral candidate at the University of Cambridge. His thesis uses the contemporary French intellectual publication Lignes to explore what has happened to the radical philosophical left over the past twenty-five years.

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