Although the fundamental meaning of basic terminology is well established for every scholarly discipline, many concepts are often questioned and redefined. In the case of ethnomusicology, this process is all too familiar, as researchers within the discipline focus on the most diverse of music cultures. The manifold worldviews of the resource persons make the matter more complex. Such a situation has particular significance in the context of multipart singing, because of its specific musical aesthetics and vocabularies. Moreover, it is accentuated by processes of change within everyday practice and in ethnomusicology. Examining this question from the viewpoint of local terminology primarily means considering specific and individual concepts of cultural listening and particularities of local discourse, which stimulate analytical attention to the most profound details of the area under discussion.

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InhaltsangabeIntroduction I. Keynote addresses Klaus Ehrenberger The brain makes the music Bernard Lortat-Jacob Singing in company II. Cultural Listening and Local Discourse JeanJacques Castéret Cultural listening and enunciation contexts in Pyrenean multipart singing Jaume Ayats and Sílvia Martínez Vespers in the Pyrenees: From terminology to reconstructing the aesthetic ideal of the song Mauro Balma The tradition of religious music in the Ligurian area (Northern Italy): the sunset of a culture between a crisis of identity and a reassertion of local pride Piotr Dahlig Multipart singing in Poland as a cultural and musical phenomenon Zanna Pärtlas Men's songs in a women's song tradition. Some remarks on men's multipart singing in Setumaa, Southeast Estonia

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