Beschreibung
B allads
reflects the need for continued literary, folkloristic, musical,
sociological, historical, and cultural research in the field of our
vast heritage of ballads and songs
A nd
reaffirms the principle of openness of the Kommission für
Volksdichtung by inviting contributions from anyone interested
in ballads and songs while at the same time aiming at new
standards of originality and excellence
S ongs –
provides a platform for the discussion of ballads and songs in
an international context and emphasizes the importance of
cultural diversity and international co-operation
I international
recognizes the need for linguistic diversity by accepting
contributions in German, French, and English in order to produce
a series of publications that provides a BASIS for future research
by the international community of ballad and song scholars
S tudies
Sigrid Rieuwerts (General Editor)
Inhalt
General Editor’s Preface vii
Acknowledgements x
What to Do with Folklore? Wohin mit der Folklore?
Que peut-on faire avec le folklore? 1
Introduction 4
Differences and Similarities between Traditional and Classical Singing:
The Question of Visualizing Songs 9
What is Folklore – French Quadrille, a Slovenian Idea,
European Graduation Parade or Winning the Guinness World Record? 17
Folk Dance on the Stage 28
Hidden Behind the Transcriptions:
Men and Women as Bearers of Slovenian Ballads 41
The Ballad and the Ascent of Literature 56
A Story’s Cultural and Narratological Potential for Change 69
Two Ballads and the Return to the Text 85
Animals as “Beings from Other Worlds”:
Deconstructing
Animality/Humanity in the Poetry of Jure Detela and Miklavž Komelj 101
Folktales Intertextuality in Svetlana Makarovič’s Svetlana’s Fairytales 113
The Anthropology of Animals – Paradox and/or Necessity 123
The Wolf and the Seven Young Kids: The Animalistic, the Wondrous and
the Childlike in Croatian Literature of the Second Half of the 19th Century 140
The Role of Animals in Conceptions of Death and the Afterlife in Croatian Ethnographic Data 153
Notes on Contributors 165