This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint.

Elena Dagradais Professor of Cinema Studies at the Università degli Studi di Milano. She was a member of the Executive Committee of Domitor (the international association for the study of early cinema) from 1993 to 1997 and wrote the second edition of its (1995). Among her other books are (2011), and (2005), winner of the Limina prize for the Best Italian Film Studies Book and published in a second enlarged edition in 2008. Since 2012, she has been in charge of Mimesis’ series, «Cinema/Origini».

Leseprobe

Contents: Point-of-view shot – Contemporary debates in the digital media landscape – Character’s subjective viewpoint.